Acoustics & Vibration

Wind noise simulation for vehicle cabins, from mirror wake to blower tone

Wind and HVAC noise are found in the tunnel, after the mirror, glass and seals are tooled. An aeroacoustic CFD chain through glazing, seals and cabin puts the source, the path and the sound at the ear in front of the design decision.

Sound pressure contours in red, orange, yellow, green and blue on a longitudinal section through a transparent vehicle body
Acoustic pressure contours on a longitudinal section through a vehicle cabin.

Wind noise simulation predicts what a driver hears at speed. Aeroacoustic CFD computes the unsteady pressure that the mirror, A-pillar and door put on the glass, and the model carries it through glazing, seals and cabin to the ear. We build that chain around your existing CFD and vibro-acoustic solvers, and extend it to HVAC and blower noise, so mirror, glass, seal and duct decisions are made before tooling is cut.

The first production-intent body is in the wind tunnel. At the speed the brief calls cruising there is a hiss beside the driver's ear, a whistle at the door that vanishes under tape, and, with the heater on, a blower tone that climbs as the fan speeds up. The mirror is tooled, the A-pillar was frozen with the body structure and the seal profile is released. The review asks which source makes which noise, whether flow, glass or seal is to blame, and what removes it without a new tool.

What is wind noise simulation, and what must it predict?

Four links, each with its own physics: unsteady flow around the mirror, pillar and door gaps; the pressure that flow puts on the exterior surface; the transmission of that load through glass and seals; and the sound in the cabin at the occupant's ear. The introduction of a 2024 study of the generic side mirror by Munoz-Paniagua, García and Latorre-Iglesias says the wake of a side mirror produces strong pressure fluctuation on the door panels and windows, which ultimately propagates into the cabin as noise.

The source side rests on Lighthill's analogy, ∂²ρ′/∂t² − c0²∇²ρ′ = ∂²Tij/∂xi∂xj, in which turbulence acts as the source of an ordinary wave equation. Curle added solid surfaces, which radiate like dipoles driven by unsteady surface force, and Ffowcs Williams and Hawkings added moving ones, the form our eVTOL rotor noise article uses for rotors. Our aerodynamic noise simulation page covers the methods.

On the glass the pressure has two parts, p = ph + pa. The hydrodynamic part convects with the turbulence at a speed Uc well below the speed of sound c0, so at frequency f its wavelength Uc/f is far shorter than the acoustic wavelength c0/f. A pane of mass per area m and bending stiffness B responds most where its bending wave matches the load. Acoustic coincidence is at fc = (c0²/2π)√(m/B). Hydrodynamic coincidence is at fhc = fc(Uc/c0)², far lower. A single surface-pressure level counts both parts alike. The glass does not.

What passes into the cabin then follows the mass law, TL = 10 log10[1 + (πfm/ρ0c0)²] at normal incidence, where every doubling of mass or frequency adds about 6 dB in the mass-controlled range. Coincidence dips below it, and a damped laminated interlayer softens the dips. Seals and gaps then offer a second path that bypasses the glass.

A plan section at mirror height: from the mirror wake through the side glass and seal to the ear A plan view through the front side door of a car at mirror height, with the oncoming air moving left to right and the cabin below the glass. A mirror on a stalk and the A-pillar sit at the left of the side glass. Air passes over them and sheds a train of rotating vortices downstream. Along the outside of the glass a short-wavelength wavy line streams with the flow: the hydrodynamic pressure carried by the turbulence. Rings expand from the wake towards the glass: the acoustic pressure, which travels at the speed of sound with a long wavelength. The glass is drawn as a thin pane with a slow bending wave. At the rear edge a door seal has a narrow gap with a leak arrow passing through it. Below the glass the cabin box has trim drawn as a dashed inner wall, sound arcs spreading from the glass, and a seated head whose ear receives them. The drawing teaches that wind noise is a chain from unsteady flow, through two kinds of pressure on the glass and a seal path, to the ear, and that each link needs its own model. No values are shown. PLAN VIEW AT MIRROR HEIGHT, FLOW LEFT TO RIGHT CABIN A-pillar mirror wake 1 hydrodynamic: convected, short wave 2 acoustic: speed of sound 3 glazing bends 4 seal gap 5 cabin modes and trim 6 the ear 7
  1. Mirror and A-pillar wake. Air separates from the mirror housing and the A-pillar and rolls up into vortices that pass along the side glass. This unsteady flow is the source. A scale-resolving CFD run has to resolve it with a mesh and time step fine enough for the highest frequency that matters.
  2. Hydrodynamic pressure. The pressure carried by the turbulence itself. It convects along the glass at a fraction of the free-stream speed, so its wavelength is short, and it does not propagate as sound. It still shakes the pane, most where the bending wave of the glass travels at the convection speed.
  3. Acoustic pressure. The part that travels at the speed of sound. It is usually far weaker than the hydrodynamic part, but its wavelength is long, so it loads the whole pane together and couples best near the acoustic coincidence frequency of the glass.
  4. Glazing response. The glass answers in bending. Mass, stiffness and the damping of a laminated interlayer set how much of each pressure part becomes vibration, and how much of that radiates into the cabin.
  5. Seals and leaks. A seal that is compressed correctly adds insulation. One that lifts under suction, or a gap at the door, lets air and sound bypass the glass altogether and can whistle. Seal stiffness and gap size scatter from car to car.
  6. Cabin cavity and trim. The sound radiated by the glass enters an enclosed volume with acoustic modes. Headliner, seats and carpet absorb it, so the level at the ear depends on the trim as well as on the glass.
  7. The ear. The target is what the occupant hears, not a surface pressure: a time-varying loudness per ISO 532-1, and the prominence of any tone or whistle. It is judged at the ear position, with a microphone or an artificial head.
Source, two pressure parts on the glass, a seal path, the cabin and the ear. Illustrative schematic.

How is wind noise usually found, and where does that break?

On a tooled prototype, in the wind tunnel or on the road. A microphone at the ear measures the sum of every path, so it cannot say whether the hiss came from the glass, the seal or the mirror wake. Tape tests and glass swaps sort the paths one hour at a time. Seal compression and gap vary from car to car, so one prototype can mislead. And the remaining fixes are short and late: a mirror cap, a glass specification, a seal profile, an A-pillar gutter, each a tool or supplier change at a time when the launch date is already fixed.

How do you simulate wind noise from the mirror to the ear?

We build the chain in four stages, with a check on every hand-off.

  1. Source flow. A scale-resolving run in Ansys Fluent, Siemens STAR-CCM+ or your existing solver, with the time step set by the highest frequency that matters. The mirror paper puts the practically relevant range for that case up to 4 kHz, notes that industrial aeroacoustics spans five to six octaves, and finds no spectral gap between the mean-flow transients and the residual turbulence. So no band can simply be modelled away. Check: the generic side mirror, a published benchmark, before the production body. That paper compares a URANS closure with LES and experiment, and reports agreement with measured spectra to 2,000 Hz at one rear sensor, which shows what a cheaper model can claim and where it stops.
  2. Load split. Surface pressure is separated into hydrodynamic and acoustic content, by wavenumber filtering or by an acoustic analogy applied to the same data, so each part loads the glass as it should. Check: flush microphones on the tunnel glass against the computed spectra.
  3. Glass, seals and cabin. The load drives a finite or boundary element model in Actran, Abaqus, Nastran or your existing solver: laminated glass with interlayer damping, seals as stiffness plus leak paths, and the cabin cavity with trim absorption. Check: transmission loss of a door glass and seal assembly on a rig, then interior microphones.
  4. The ear. Interior spectra are turned into time-varying loudness, which ISO 532-1:2017 specifies by the Zwicker method, with tone prominence and source ranking. Check: an artificial-head recording at the occupant position.

The target must describe the same condition as the test. ISO 5128:2023 specifies an engineering method for measuring the interior sound of road vehicles of categories M and N under typical driving conditions, and lists benchmarking and verification against specifications among its uses. We set wind noise targets against your reference vehicle, in a condition both model and measurement can reproduce.

What about HVAC and blower noise?

The same cabin, a different source. A centrifugal blower makes a tone at the blade-pass frequency, f = zn/60 for z blades at n rev/min, and its multiples, as each blade passes the tongue of the volute. That tone follows blower speed, not vehicle speed, which is why it is easy to tell from wind noise. Broadband noise comes from the turbulence in the wheel, the evaporator core, flaps and the outlet grille. A duct carries only plane waves below c0/2w, for a rectangular section whose largest side is w, and above that its transverse modes complicate what reaches the vent. The housing and mounts add a structure-borne path into the panel, and none of it appears in a duct-only model.

We run unsteady CFD of wheel and volute for the sources, a duct acoustic model for transmission, local CFD of the outlet, and a finite element model of housing and panel. The comfort article already sets the airflow a cabin needs: passenger thermal comfort CFD. Here we run the noise at those same operating points, so quiet and comfort are traded on one table, not two.

An HVAC blower, duct and vent: tone, hiss and structure-borne paths to the ear A side view of a vehicle HVAC air path from the blower on the left to the cabin on the right. A centrifugal blower wheel with spinning blades sits in a volute casing whose exit duct leaves tangentially; a dot marks the tongue where the blades pass close to the casing. The duct runs right through an evaporator core and a partly open flap, with small arcs inside it for sound travelling along the duct. The duct ends at a louvred outlet in the cabin wall, from which three streaming jet lines issue, with turbulent rings downstream. Under the blower two springs stand for the mounts and carry vibration into a long panel along the floor, drawn with a wave and radiating arcs. A seated head at the right has an ear receiving both the outlet hiss and the panel sound. The drawing teaches that blower noise reaches the occupant by three routes, the blade-pass tone through the duct, broadband flow noise at the core, flap and outlet, and vibration through the housing and mounts, and that each needs its own model. No values are shown. HVAC AIR PATH, BLOWER TO CABIN CABIN blade pass, tongue 1 duct waves 2 core, flap 3 outlet hiss 4 housing, mounts, panel 5 listener 6
  1. Blower wheel and tongue. Each blade passing the tongue of the volute gives a pressure pulse, so a tone sits at the blade-pass frequency and its multiples, and moves with blower speed, not vehicle speed. Turbulence in the wheel adds broadband noise.
  2. Duct acoustics. Sound travels along the duct as plane waves at low frequency. Above the cut-on frequency of the first transverse mode the duct carries more complicated patterns. Bends, area changes and the evaporator reflect and absorb it on the way.
  3. Core and flap. Every flow restriction adds its own broadband noise, and a partly open flap sheds turbulence into the stream. Their share changes with flap position and airflow, which is why one operating point is not enough.
  4. Outlet flow noise. The jet from the louvres mixes with the cabin air, and the grille and vanes add turbulence and, sometimes, a whistle. This noise is made at the occupant's end of the system and no duct treatment upstream removes it.
  5. Housing, mounts and panel. The housing vibrates with blower speed and unbalance, and the mounts send that into the body panel, which radiates it as sound. This path is structure-borne and does not appear in a duct-only acoustic model.
  6. Listener. Both the tone and the hiss arrive at the ear together. Whether a blower line is acceptable depends on how far it stands out of the broadband noise, not on its level alone.
A blower tone, flow hiss from the core, flap and outlet, and a structure-borne path through the mounts. Illustrative schematic.
What the occupant reports, the likely source, and the first model to run
ReportLikely sourceFirst model to run
Hiss beside the door glass that rises with speedMirror and A-pillar wake loading the side glassScale-resolving CFD with the load split into hydrodynamic and acoustic parts
Whistle at one speed that tape removesSeal gap or rail cavity toneLocal compressible CFD of the gap and its feedback
Low-frequency boom with a window or sunroof openCabin as a Helmholtz resonator driven by shear-layer sheddingTransient CFD with the opening and the cabin volume
Noise changes with the glass but not the exteriorTransmission path, not the sourceVibro-acoustic model of glazing and seals
Whine tied to fan setting, not road speedBlade-pass tone from the blowerWheel-and-volute CFD plus duct acoustics
Hiss from the vents at a high settingOutlet grille and vane flow noiseLocal CFD of the outlet and the jet
Noise differs between cars of one buildSeal compression and gap scatterTolerance study through a surrogate

Do not rank a mirror shape by surface pressure alone

RMS pressure on the glass ranks hydrodynamic energy, which radiates little and excites the pane only near its own coincidence band. A shape with a lower number can still sound worse once glass, seal and cabin weight each frequency. Carry candidates through to the ear, and confirm the winner against the tunnel.

Where does AI help wind noise simulation, and where does it not?

  • A surrogate of the transfer from a surface-pressure patch to interior sound, trained on a planned set of vibro-acoustic runs. The path is close to linear, so it learns well. See surrogate models for CFD and FEA.
  • A shape-to-sound surrogate over a parameterised mirror, pillar and glass family, so a search runs over hundreds of variants, not a handful of full simulations.
  • Calibration of seal stiffness, leak admittance and glass damping from tunnel and rig data, as a Bayesian fit returning parameters with their uncertainty. See AI surrogate models you can sign off.
  • Sound-quality prediction from the computed spectra, trained on your jury or metric data for your own vehicles.

Where it does not help: separated flow for a shape outside the training family, and whistles. A whistle is acoustic feedback in a narrow gap, so a small change in geometry switches it on or off, and a smooth surrogate will average it away. The surrogate has a stated range, and any request outside it goes back to the solver. Nothing replaces the tunnel as the final check.

From one tunnel session to a cabin-noise capability you keep

The return comes when your own team runs the chain for the next mirror, glazing package or HVAC unit.

From one simulation study to a permanent workflow A loop of six steps: physics model, validation, automated runs, AI surrogate, decision tool and field data, which feeds back into the physics model. YOUR WORKFLOW Better with every run physics + data + AI, kept in-house 1Physics model 2Validation 3Automated runs 4AI surrogate 5Decision tool 6Field data CFD · FEA TESTS · TRIALS DOE · HPC CLOUD OPTIMISE DECIDE MONITOR RECALIBRATE
  1. Physics model. CFD and FEA set up once, as templates: geometry clean-up, mesh, solver settings and post-processing that every later run reuses.
  2. Validation. Mesh and time-step studies, and comparison with tests or full-scale data, so the model's uncertainty is known before it is trusted.
  3. Automated runs. Scripted runs over the parameters and operating conditions that matter, on your hardware or in the cloud.
  4. AI surrogate. A machine-learning model trained on those runs answers in seconds and says how sure it is; low-confidence questions go back to the solver.
  5. Decision tool. Optimisation, trade-off charts or operating guidance, in a form your engineers and operators use every day.
  6. Field data. Test, trial and monitoring data flow back to recalibrate the model, so it improves with every project instead of being rebuilt.
Physics, validation, automation and AI in one loop that improves with every run. Illustrative schematic.
  • A parameterised exterior-to-ear chain in your existing solvers: mirror, A-pillar, glass, seal and trim as parameters, with the load mapping and every hand-off check scripted.
  • A validation record: flush-microphone, interior-microphone and artificial-head data per body variant and speed, with the seal and glass damping fitted from it.
  • Automated runs and a sound-quality report for each design change, with loudness, tone and source ranking against your reference vehicle.
  • A surrogate with a stated range from shape and glazing parameters to interior spectra, with a gate that returns out-of-range requests to the full model.
  • Handover and training, so your engineers extend it themselves. See our training and software development services.

Questions engineers ask about wind noise

What causes wind noise in a car?
Air separates at the mirror, the A-pillar and door gaps and shed turbulence, which loads the side glass with unsteady pressure. Part of that pressure passes through the glass, and part bypasses it through seals and gaps, into the cabin.
Can CFD predict wind noise?
It predicts the source and the surface pressure well enough to rank designs when the mesh, the time step and the load split are right and a benchmark has been run. Absolute interior levels depend on glass damping and seal data, so we plan to correlate with the first tunnel run.
What is the difference between hydrodynamic and acoustic pressure on glass?
Hydrodynamic pressure is carried by the turbulence at a fraction of the flow speed and does not propagate as sound. Acoustic pressure travels at the speed of sound. Their wavelengths differ, so they excite the glass at different frequencies.
How do you simulate HVAC blower noise?
Unsteady CFD of the wheel and volute gives the tonal and broadband sources, a duct acoustic model carries them to the outlet, and a structural model covers housing and mounts. All are run at the operating points the comfort design sets.
What do you need from us to start?
Exterior CAD with mirror, A-pillar and door; glazing and seal drawings; blower and duct geometry; and an interior recording or tunnel data at the speed that worries you.

If a vehicle is heading to its first tunnel session, send us the exterior CAD with mirror and A-pillar, the glazing and seal drawings, the blower and duct geometry, and an interior recording at the speed that worries you. We will reply with how we would build the chain, which path we would rank first, which measurement would calibrate it and what the first source ranking would let you decide. Start with a conversation, or read about our automotive acoustics work and the acoustics and vibration section.

OLTRION Engineering

CAE, CFD and simulation team

The OLTRION engineering team runs CFD, FEA and multiphysics simulation programmes for aerospace, automotive, energy and industrial clients, and builds the machine-learning tools that speed them up. These articles come from that project work.

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